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Loudspeakers, But In A Different Way

 

Not many manufacturers attempt to build speakers with such a fundamentally different approach as this brand.

Cabinets made from natural slate. Not easy, but the results are spectacular.

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Fischer and Fischer SN/SL 370AMT

The next step up using the AMT but with bigger mid-bass drivers.

Speaker pair, natural slate £9,700, slate polished and laquered £11,200

About the SN/SL 370AMT


Similar in concept to the 270s, the deal here is the twin mid-bass drivers are upped from 160mm to 180mm. And again the AMT is mounted in between, to get the d'apolito effect. And of course the overall package is bigger, with slightly higher efficiency and a wider bandwith. 

As the F&F speakers get bigger, so there is (at variuos transition points up the range – check the specs) a corresponding increase in the thickness of the slate panels used to construct the cabinets. There's more engineering involved, there's more mass, there's more of that vibration killing property of the natural slate. So as well as more of the basic speaker parameters going up each time, there is also an increase in the available amount of acoustic control from these stunning cabinets.

Specifications


Frequency response (+/- 3 dB) 36 - 27kHz

Impedance 4 ohms

Sensitivity 90 dB (1 W / 1 m)

Max. acoustic pressure112 dB

Bass and midrange systemtwo 180 mm FISCHER & FISCHER cone speakers with carbonized paper, carbon foil sandwich membrane and aluminium phaseplug

Treble systemone FISCHER & FISCHER-Air Motion Transformer (AMT), special custom made by Mundorf

Cabinet material 20/23 mm thick low-resonance natural slate

Floor system aluminium, levellable.

Dimensions slate cabinet (H x W x D)1096 x 220 x 300 mm.

All over dimensions, incl. floor system1141 x 305 x 350 mm

Weight 69 kg

Matching & Setup


Now we are going up in size and performance with the 370s, they are still not particularly large in high-end speaker terms, but with these, we are edging into high-end performance. So they need more space and deserve better quality upstream components. We would say to go for amplification with real transparency and good bass too, but note the 90dB efficiency so these are starting to get really good with valve amplification. That way you get to maximise the considerable step up in perceived bandwith here, with a lot more scale and headroom. 

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